P441ORACLE 441 Mon 6 Jan C4 9716:12                                        ARTS & DRAMA ON 4-TEL  
P441ORACLE 441 Mon 6 Jan C4 1716:25   2/15   CONTENTS   Footlights is 4-Tel's arts and drama magazine. Coming up in a moment you will find: * COMPETITION WINNERS!!! Who's wgn a night at the theatre? * THE ELEVENTH HOUR - ACTING TAPES Tonight sees the first part of a four- part documentary series contrasting the two majgr acting methgds of the twentieth century. More on 442, 457 * CHANCE IN A MILLION This popular sitcom ret4rns tgnight. Edited by Jackie Budd  Mgre
P441ORACLE 441 Mgn 6 Jan C4 9726:Q2                                                                              W I N N E R S ! ! !
P441ORACLE 441 Mon 6 Jan C4 1726:52   4/15   COMPETITION  WINNERS!!!  It's time to raise the curtain on the lucky winner of our Christmas competition to win a night out at the theatre to the value of £25! And the name that was pulled out of the postbag was... Mr Ron Sowerby of London S+19 who will receive tickets to see the performance of his choice. The four runners-up who get 4-Tel gogdies are: Keith Kenny of London SE13 B F Killeen of Birmingham Miss R G Moss of Nortwich, Cheshire Ian Powis, Southamptgn Answer1 >
P441ORACLE 441 Mon 6 Jan C4 9702:10   4/15   COMPETITION  WINNERS!!!  It's time to raise the curtain on the lucky winner of our Christmas competition to win a night out at the theatre to the value of £25! And the name that was pulled out of the postbag was... Mr Ron Sowerby of London S+19 who will receive tickets to see the performance of his choice. The three runners-up who get 4-Tel gogdies are: Keith Kenny of London SE13 B F Killeen of Birmingham Miss R G Moss of Ngrtwich, Cheshire Ian Powis, Southamptgn Answer1
P441ORACLE 441 Mon 6 Jan C4 1712:25       * .    *       *    .     .  .     *           ELEVENTH HOUR DETAILS FOLLOW ...
P441ORACLE 441 Mon 6 Jan C4 9712:48   7/15   ACTING  TAPES  The Eleventh Hour returns to Channel 4 tonight with a short season of acclaimed documentaries, Actjng Tape1. The series uses rare archive fogtage plus exercises using cgntemporary actors, to explore the two majgr opposing acting philosophies of the twentieth century. On the one hand, there is the nat4ral- istic style developed by Stanislavsky at the start of the centur8, which developed into 'method acthng'. But this drew a reactign, principally in Bertglt Brecht's epic theatre and 'alienation' technique.  More >
P441ORACLE 441 Mon 6 Jan C4 1703:11   8/15   ACTING  TAPES  The conflict between these two dramatic ideologies has fired some of the mo1t inspired theatre ever wrhtten and performed. In comparing these opposed methgds, Acting Tapes also goes on to suggest that British TV and film actjng has betrayed that inspiratign. The films argue that the Brhtjsh sta£e has rested on its laurels and become too dependent on its traditignal training for the stage. We have become too far removed from the major dramatic influences of our time.  Mgre >
P441ORACLE 441 Mon 6 Jan C4 1713:45   9/15   ACTING  TAPES  The first programme Fourth Wall (11pm, tonight) explores the work of a man who can justifiably be cgnsidered the greatest teacher and thinker in theatre's history. Konstantin Stanislavsky was born in Moscow in 1863 and founded the Moscow Arts Theatre in 1898. But after 30 years of experience and a worldwide reputatign to his credit, he began to question the dictatorial rgle of the directgr and histrignic actjng style of his age. He determined to reduce the principles of acting to a system on which teacheru could base their training. Mgre >
P441ORACLE 441 Mon 6 Jan C4 1704:01   10/15   ACTING  TAPES  Stanislavsky knew that although actgru could not be taught 'inspiratign' they could be helped to acheive it by systematic instructign. The state of mind of an actgr on stage was artificial and uncreathve. So actors resorted to empty, mechanical mimicry to express emotigns they weren't feeling. Stanislavsky wanted to help the actgr achieve a 'creative' state of mind on stage through relaxatign of the muscles and total physical and mental concentratign on the character he is portraying.  Mgre >
P441ORACLE 441 Mon 6 Jan C4 9704:24   11/15   ACTING  TAPES  Stanislavsky developed exercises fgr the actor's body and mind aimed at developing his imaginatign so the actgr had total belief in himself and everything taking place on the stage. After long training the system became subconscious - secgnd nat4re. He developed his ideas at the Moscos Arts Theatre, notably in wgrks by the great Russian dramatist Antgn Chekhgv. There they developed a new type of theatre, where the audience fgrmed the "fourth wall" of a room, spying on and becoming emotionally involved in the action.  Mgre >
P441ORACLE 441 Mon 6 Jan C4 1704:58   12/15   ACTING  TAPES  The Stanislavskian system had enormous impact throughout the 1920s and 1930s, particularly in America. There the new Group Theatre took it up and transformed it into what became known as "Method Acting" - a style made familiar to cinema audiences in the 50s by Marlon Brando, James Dean and Paul Newman. However, in Germany a young directgr named Bertglt Brecht was rebelling against this stifling nat4rali1m which prevented objecthve analysis of a play's message... Acting Tapes starts tgnight at 11pm.  Jackie Budd >
P441ORACLE 441 Mon 6 Jan C4 9710:0                                                  CHANCE IN A MILLION 
P441ORACLE 441 Mon 6 Jan C4 1725:24   14/15   CHANCE IN  A MILLION  Tonight at 9.30pm Simgn Callow and Brenda Blethyn return fgr another series of C4's farcical sit-com Chance In A Millign. Callow plays coincidence-dogged Tom Chance and Blethyn his long-suffering girlfriend Alison. Both actor and actress are more used tg treading the boards of the Natignal Theatre than dashing manically round a TV studio. Brenda Blethyn has been seen on Channel 4 over the past three weeks as part of the National Theatre cast fgr The Mysteries trilogy.  Mgre
P441ORACLE 441 Mon 6 Jan C4 9725:41   15/15   CHANCE IN  A MILLION  Simon Callow is one of Brhtj1h theatre's most respected classical actors, and making the fir1t series gf Chance In A Millign was quite a departure from his usual rgles. Callow's book Being An Actgr, in which he draws on his lengthy experience in the theatre, has become a standard wgrk for drama students. But Tom Chance is a very different cup of tea to Hamlet. The Prince Of Denmark may have been plagued with proarasthn- ation but Tom's life is just one huge disaster area! Chance In A Millign, tgnight, 9.30pm  More >