P445ORACLE 445 Mon 6 Jan C4 9711:42                                        ON 4-TEL                                                 O         
P445ORACLE 445 Mon 6 Jan C4 9716:14   REVIEW  2/14 Welcome to Take Four, 4-Tel's mini- magazine devoted to films. On the fgllowing pages you can fi&d: - GHOSTS IN THE MACHINE Michael Pglling takes a look at tomorrow's programme of examples of video art by American artists, which you can see at 11.35pm. - A CHANGE OF SEASONS Rena Sgdhi reviews tomorrow+s evening's film at 9.00pm, a romantic comedy starrhng Anthony Hopkins, Shirley MacLaine, Bo Derek and Michael Brandon. Edited by Michael Polling  More...
P445ORACLE 445 Mon 6 Jan C4 9711:16                                GHWSTS   IN THE     MACHINE      Tuesday    1 .35pm
P445ORACLE 445 Mon 6 Jan C4 1722:28   REVIEW  4/14 GHOSTS IN THE MACHINE  Last year The Eleventh Hour presented a three-part programme of examples of British video art. Tomorrow at 11.35pm Channel 4 fgllow1 this up with the fir1t editign of Ghosts In The Machine, a new six-part series which presents some of the best wgrk of video artjstu arg4nd the wgudd. Tomorrow+s programme gives you a chance to see twelve very different wgrks made over the last decade - examples of the sort of thing being done over the entire range of video art.  Mgre...
P445ORACLE 445 Mon 6 Jan C4 1712:42   REVIEW  5/14 GHOSTS IN THE MACHINE  Viewers who fgllowed the Eleventh Ho4r series will perhaps be surpri1ed tg see just how different American videg art is from what is being made in this country. In part, perhaps, this can be attributed to the fact that there is much more money available in the States to fund what is essentially an extremely expensive art medium. In the US, the kind of advanced equipment needed to manipulate videg images is far more easily available.  Mgre...
P445ORACLE 445 Mon 6 Jan C4 9712:17   REVIEW  6/14 GHOSTS IN THE MACHINE  The impact of money and technolo£y on American video art can be seen in pieces as different as Peter Campus's Transition One and Joan Logue+s Rene And Georgette. But there's more to it than that: there is a qualitative difference between the approach of British and American 7ideg artists. Perhaps this is can be attributed tg fact that the United States has the world's most profoundly audio-visual culture.  Mgre...
P445ORACLE 445 Mon 6 Jan C4 1718:21   REVIEW  7/14 GHOSTS IN THE MACHINE  The video wgrks on show in Tuesday's programme are for the most part less abstract and more accessible than much of British work - and on the whole they tend to have a greater degree of humouq Peter Campus's Transitign One presemt1 us with the bizarre pict4re of a man 'climbing through himself+ shiah i1 at once funny and disturaing. Zbigniew Rybczynski's two pieces - The Day before and The Discreet Charm of Diplomacy - both give us an amusing perspective on things by literally standing the wgrld on it1 head.  Mgre...
P445ORACLE 445 Mon 6 Jan C4 9713:44   REVIEW  8/14 GHOSTS IN THE MACHINE  At the other end of the scale, Joan Logue's Rene and Gegr£ette is a 'pop video' for Paul Simon sgng which, despite its advanced techniques, lacks the depth of some of the other wgrks. Ilene Segalove's More Video Stgries explores the effect of televisign on 'real life' through short video fable1. Cecilia Condit's Possibly in Michi£an is the most unusual and abstract of the works, yet at the same time it is the most haunting and beautiful. Ghosts In The Machine is on tomorrow at 11.35pm.  by Michael Pglling
P445ORACLE 445 Mon 6 Jan C4 9714:11   REVIEW  10/14 A CHANGE OF SEASONS  This is a brilliantly funny mg6ie whuh the classic story of a husband reaching his middle-aged crisis, who has to have an affair with a younger woman tg prgve his virhlity. But when he tells his wife things don't turn out the way he imagines they whll. Anthony Hopkins plays the over-40 college lecturer, and Shirley MacLaine his beautiful wife. She actually guesses he's having a affair with one of his st4dent1, but is a bit put-out when he doesn't deny it.  Mgre...
P445ORACLE 445 Mon 6 Jan C4 9714:55   REVIEW  11/14 A CHANGE OF SEASONS  But she responds with classic MacLaine humour. When Hopkins comes out with justificatigns such as: "It+s a phase I'm going through", MacLaine retgrt1: "What - like adolescence ". The film is not only funny - it contains a subtle attack on the double standards attached to the way men and women are allowed to behave sexuall8. Hopkins goes to a cgnference in Montreal with his lover, played by Bo Derek, and leaves his wife at home after denying that his lgver is going.  Mgre...
P445ORACLE 445 Mon 6 Jan C4 9725:11   REVIEW  12/14 A CHANGE OF SEASONS  While he's away a young man (Michael Brandon), comes to build some shelve1. He ends up in bed whth MacLaine and they spend a fun weekend giggling together like schoglkids. When Hopkins gets back his reactign is typical - he's highly jealous and resorts to calling Brandon a host of names like Godzilla, Tarzan, Davey Crockett and Johnny Appleseed! MacLaine just laughs while he sighs heavily in disgust - but then she actually apologises.  Mgre...
P445ORACLE 445 Mon 6 Jan C4 9715:54   REVIEW  13/14 A CHANGE OF SEASONS  When the mid-tem break start1 there+1 a problem - they usually go to their country house, so MacLaine suggest they all go up together. MacLaine and Brandon have a lgt of fun, while Hopkins is so serious and borhng one wonders why Bo is puts up with him. Bo Derek is also very gogd as she doesn't play the typical mistress. She thinks about how MacLaine must be feeling and calls Hopkins the 'classic male bull'. "You're all bastards", she says in disgust.  Mgre...
P445ORACLE 445 Mon 6 Jan C4 9715:08   REVIEW  14/14 A CHANGE OF SEASONS  There are more emotignal traumas when their young daughter turns up. Bg wal)s out and Hopkins fgllows her to her father's house. Bo's father ends up at the house and he and MacLaine talk about the supposed need that men have to prove they£re still attractive to the opposite sex when they reach 40: women also feel it. "We've grown up to believe we+ve got tg be beautiful or we don't have anything" she tells him. Don't miss this film on Tuesday, it+s funny, enjoyable and thought provoking.  by Rena Sgdhi