P445ORACLE 445 Mon 3 Feb C4 1714:54  3/14                 HE TTER■■  T■   s 4+TEL                                      ‖‖‖‖   ■■■■o
P445ORACLE 445 Mon 3 Feb C4 1714:31  2/14  CONTENTS  Welcome to Take Four, 4-Tel's mini- magazine devoted to films. On the following pages you can find: - THE HATTER'S GHOSTS Barbara Jefferson takes a look at Wednesday's French film - Chabrol's witty examination of murder amongst the bourgeoisie - BOARDWALK Rena Sodhi reviews tomorrow night's emotionally moving film, starring Lee Strasberg and Ruth Gordon. Edited by Michael Polling  More...
P445ORACLE 445 Mon 3 Feb C4 1704:12  4/14  REVIEW  THE HATTER'S GHOSTS  In its season of major French films, Channel 4 is showing one of the best this Wednesday at 10.05pm - Claude Chabrol's The Hatter's Ghosts. A psychological thriller based on the novel by Georges Simenon and set in La Rochelle, the film has you in its grip from the first scene. The film is a fascinating essay where murder is seen as a pastime of the bourgeoisie, casting Michel Serrault as a prim and respected hatter who has made mass murder part of his life.  More...
P445ORACLE 445 Mon 3 Feb C4 1714:11  5/14  REVIEW  THE HATTER'S GHOSTS  Charles Aznavour is Serrault's anxiety- ridden tailor neighbour who, when he discovers the hatter's gruesome secret, is too terrified to inform the police. Serrault keeps a dummy by his bedroom window so that people think it's his bedridden wife. The hatter's mad obsession does not only affect his behaviour with other people - he has his maid cook two sets of meals, so that he can take one upstairs for his wife.  More...
P445ORACLE 445 Mon 3 Feb C4 1710:25  6/14  REVIEW  THE HATTER'S GHOSTS  When upstairs, Serrault not only eats the second meal, but chats to the dummy as if it were real, chastising it for not eating potatoes, and wheeling it to the window for fresh air. Even when he cooks for himself, he makes a meal for two and talks over the table to an empty chair. With an unnerving sang-froid, Serrault sets out to murder the seven elderly women friends of his wife, so that none can pay her a visit on her birthday, or discover she is dead. Murdered.  More...
P445ORACLE 445 Mon 3 Feb C4 1711:02  7/14  REVIEW  THE HATTER'S GHOSTS  Everyday, he meets to drink and play cards with his friends, some of whom police comissioners, lawyers, and one is the brother of a victim. Every time there is a murder, they sit around trying to fathom out the strangler's mind. The hatter even makes his own predictions. Until he falls ill, Aznavour provides a superb cat-and-mouse game with the hatter. Serrault knows the tailor is too scared to turn informer, but he can never be sure.  More...
P445ORACLE 445 Mon 3 Feb C4 1711:41  8/14  REVIEW  THE HATTER'S GHOSTS  La Rochelle is the perfect provincial place for the film to take place with its dark, twisting streets, small-town attitudes and gloomy weather. Michel Serrault, one of France's most repected actors, manages to do the ultimate in acting: he makes his character credible, a real person. The Hatter's Ghosts is laced with wry, black humour, tinged with sadness and psychological thrills. It's on this Wednesday at 10.05pm.  More...
P445ORACLE 445 Mon 3 Feb C4 1711:44 Z  9/14                     REVIEW   Tomorrow    9.00pm                 
P445ORACLE 445 Mon 3 Feb C4 1701:10  10/14  REVIEW  BOARDWALK  Boardwalk, tomorrow at 9pm, is a powerful moving drama starring Lee Strasberg and Ruth Gordon. They portray an elderly Jewish couple trying to come to terms with a changing environment. Living on the beachfront neighbourhogd of Coney Island, all around them they see dramatic changes taking place. A violent gang of roving youths are terrorising elderly people: stealing from, and physically assaulting them. Friends of the couple are moving out because it is no longer safe to stay.  More...
P445ORACLE 445 Mon 3 Feb C4 1712:24  11/14  REVIEW  BOARDWALK  Strasberg and Gordon are superb as the loving couple who are approaching their 50th wedding anniversary. They effectively convey a mutual love and respect for each other, giving the characters depth without making the relationship appear cloying. There is also fine support acting from Janet Leigh as their daughter, and Joe Silver and Eddie Barth as their twg sons. They represent a close-knit caring family. Very different to the menacing thugs.  More...
P445ORACLE 445 Mon 3 Feb C4 1712:02  12/14  REVIEW  BOARDWALK  The brilliant photography from Billy Williams adds to the film's emotional impact. There are several aerial shots which greatly alter the perspective of the characters. For example the first shot we see of the gang of youths is from above as they strut down the boardwalk. Not seeing their faces gives them a menacing, dangerous image. The opposite effect is achieved at the end: an aerial shot of Strasberg on the boardwalk makes him look small and insignificant.  More...
P445ORACLE 445 Mon 3 Feb C4 1713:41  13/14  REVIEW  BOARDWALK  The music also adds to the way we feel about the characters and how we perceive the film. At first it is gentle and pleasant, reflecting the easy-going warmth of the beach. When the thugs appear it changes to a harsh, threatening sound, conveying their underlying violence. And this continues throughout the film, a subtle change from safety to violence. The essence of the film is the feeling of helplessness and fear felt by elderly people when mindless savages intrude on their lives.  More...
P445ORACLE 445 Mon 3 Feb C4 1718:51  14/14  REVIEW  BOARDWALK  The film shows how futile and narrow- minded it is to be racist, either fgr religious reasons or for the colour of a person's skin. The Jews are attacked because of their religion, but Strasberg's daughter in turn is unhappy when a black couple move in next door. Director Stephen Verona dramatically examines characters within their environment, and avoids simplyfying the issues by saying that all blacks are bad and all Jews are good. Don't miss this film: it really makes you think.  by Rena Sodhi